How Showmax is celebrating Africa Day by exploring the continent’s rich film and television history

While pan-African travel remains a distant dream for now, it’s never been easier to explore our beautiful continent, thanks to Showmax’s catalogue of record-breaking and award-winning local content. There’s no single story that captures the diversity and wonder of Africa, but whatever you’re in the mood for, Showmax has a movie or a show for you:


FEEL LIKE SEEING AFRICA RULE THE WORLD?

NOUGHTS + CROSSES S1 | Alternative history series 

Noughts + Crosses was named one of “the 10 best British TV shows of 2020” by Mashable, who called it, “crucially important… a kind of drama/thriller/romance hybrid, mixing Game of Thrones-style political backstabbing with a very human story of discrimination and systemic oppression. The end result? A stunningly-crafted epic that’s every bit as tense as it is impactful.”

South African Masali Baduza (Trackers) and BAFTA winner Jack Rowan (Born To Kill, Peaky Blinders) play Sephy and Callum, two star-crossed lovers in the tradition of Romeo and Juliet, in an alternate universe where Africa colonised Europe, rather than the other way round. 

Based on Malorie Blackman’s multi-award-winning novel and shot largely in Cape Town with Film Afrika, the series also stars South African actress Bonnie Mbuli (Invictus, Wallander) as Sephy’s mom, Jasmine. Koby Adom – who is from Ghana, was born in Cote d’Ivoire, and grew up in London – is one of the two directors, while South African costume designer Dihantus Engelbrecht earned a Costume Design – Drama nomination from the 2020 Royal Television Society Awards in the UK for his work on the show.


TIME TO CELEBRATE AFRICANS ON A GLOBAL STAGE?

YVONNE ORJI: MOMMA, I MADE IT! | Nigerian comedy special

In her first HBO comedy special, Nigeria’s Yvonne Orji, better known as Molly from Insecure, has the audience rolling with laughter as she brings her razor-sharp wit and confidence to the stage. Both celebrating and poking fun at her strict, formative Nigerian-American upbringing, Yvonne shares her unique journey from pre-med to comedy, talks about parental pressures to get married, and takes us along to Lagos to meet her family and friends. 


Entertainment Weekly calls Momma, I Made It! “an hour of joy”, IndieWire hails it as “a rip-roaring standup special,” and Fast Company says it’s “the laugh the black community needs right now.”

In 2020, Yvonne also recently earned her first Emmy nomination and her fourth Black Reel nomination in a row as Molly in Insecure, while Momma, I Made It was nominated for a 2021 Image Award for Outstanding Variety Show (Series or Special).  


BEEN SLEEPING ON AFRICA’S NEXT SUPERSTAR?

IS’THUNZI | South African teen drama

South Africa’s Thuso Mbedu is making headlines globally right now as the star of The Underground Railroad, an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel, directed by Oscar winner Barry Jenkins (MoonlightIf Beale Street Could Talk). Even Oprah is a fan, saying on Instagram that, “@thuso.mbedu gives the performance of a lifetime. Great things are coming for her and everyone will be saying her name after watching her as the superhero that is Cora.”

But celebrating Thuso Mbedu is stating the obvious for Mzansi Magic fans, who’ve already seen her earn back-to-back Best Actress nominations at the International Emmy Awards in 2017 and 2018 for her role as Winnie in the isiZulu teen drama Is’thunzi. The show also picked up South African Film and Television Awards (SAFTAs) for Best Actress and Actor for Mbedu and S’Dumo Mtshali (IsibayaiNumber Number) respectively, not to mention nominations for the all-star cast of Pallance Dladla (DAMShadow), Thulane Shange (UzaloiNumber Number), and Zikhona Bali (DiepCity).  

So, if you’ve been sleeping on Mbedu, rather than wait for her next starring role, opposite Oscar winner Viola Davis (FencesMa Rainey’s Black Bottom) in The Woman King, jump into her back catalogue on Showmax, which also includes roles on Isibaya S3 and MTV Shuga: Down South S2.


WANT A REMINDER OF THE POWER OF STORY?

LIYANA | Kingdom of Eswatini documentary


Winner of 35 awards, Liyana is a genre-defying documentary that tells the story of five children in the Kingdom of Eswatini who, with some guidance from South African storyteller Gcina Mhlope, turn past trauma into an original fable about a girl named Liyana, who embarks on a perilous quest to save her young twin brothers. The film weaves Liyana’s animated journey together with poetic documentary scenes to create an inspiring tale of perseverance and hope.

Liyana is the directorial debut of Swaziland-born and raised Aaron Kopp, with his wife Amanda. Before moving into directing, Aaron shot the Oscar-winning documentary Saving Face and the Oscar-nominated The Hunting Ground

Liyana is executive produced by Emmy winner Thandiwe Newton (Westworld), produced by Oscar winner Daniel Junge (Saving Face), and edited by Davis Coombe (Chasing CoralChasing Ice). Nigerian Shofela Coker created the stunning animated artwork, while South African Philip Miller composed the score.


Entertainment Weekly hailed Liyana as “Gorgeous. Unlike any documentary you’ve ever seen,” while The Hollywood Reporter praised it as “A lyrical work, as bright and captivating as it is poignant.”


FEEL LIKE A SHARP SATIRE AND FEMINIST ALLEGORY?


I AM NOT A WITCH | Zambian satire 

After a minor incident in her village, nine-year-old Shula is exiled to a travelling witch camp where she is told that if she tries to escape she will be transformed into a goat. As she navigates through her new life with her fellow witches and a government official who exploits her innocence for his own gain, she must decide whether to accept her fate or risk the consequences of seeking freedom.

Winner of 15 international awards, including the BAFTA for Best Debut for Zambian-born, Wales-raised director Rungano Nyoni, I Am Not A Witch has a 96% critics rating on Rotten Tomatoes. As Variety put it, “It’s rare and exhilarating that a new filmmaker arrives on the scene so sure of herself and so willing to take bold, counter-intuitive chances… Invigorating, intriguing and provocative.” I Am Not A Witch is at #5 on The Guardian’s list of The 20 Best African Films, Ranked.

Nyoni was inspired by a spate of witch accusations aimed at women, which took place over a particularly dry summer in Zambia, and by her month-long stay at a 200-year-old witch camp in Ghana.

READY FOR A HOLIDAY IN THE MOUNTAINS?

THE FORGOTTEN KINGDOM 
| Lesotho-set drama

Atang (Zenzo Ngqobe from The RiverTsotsi) returns to a mountain village in Lesotho to bury his father. Expecting to return to the city quickly, he instead befriends an orphan herd-boy, is stirred by memories of his youth, and falls for a childhood friend, Dineo (Nozipho Nkelemba).

The Forgotten Kingdom won 15 international awards, including seven Audience Awards from American festivals, and Best Cinematography, Sound and Child Actor (Lebohang Ntsane) at the Africa Movie Academy Awards, where it earned another six nominations, including Best Film and Best Actor for Nqobe.

The Guardian called The Forgotten Kingdom a “pleasingly cinematic mini epic… combines classic realism with colourful characters, breath-taking vistas and a light dusting of the supernatural” while Radio Times, in their four-star review, praised the film as “heartfelt and touching… so genuine it’s hard to resist.”

GETTING TO KNOW ‘THE FATHER OF AFRICAN CINEMA’?  

LA NOIRE DE… (BLACK GIRL) | Senegalese drama

Ousmane Sembène’s debut 1966 film, La Noire De… (Black Girl), is the story of a young Senegalese woman who is employed as a governess for a French family in Dakar and moves with them to the Riviera, where her comfortable duties as a nanny in a wealthy household are replaced by the drudgery and indignities of a maid.

Black Girl won the Tanit d’Or at Carthage in 1966, among other prizes, and was hailed by Oscar winner Martin Scorcese (The Irishman) as “an astonishing movie.” It’s at #3 on both the Tarifa-Tangiers African Film Festival’s list of the 10 best African films of all time and The Guardian’s list of The 20 Best African Films, Ranked.

Black Girl has a 97% critics rating on Rotten Tomatoes, with The Village Voice saying its “dense with cold fury” and NPR adding that the film feels as timely today as it did half a century ago.”

Showmax is also home to Sembène’s Cannes winner Mooladéhis Venice winner Camp De Thiaroye; and his Berlin winner Emitaï.

FEEL LIKE A CRIME CLASSIC?

CAIRO STATION | Egyptian crime film

In the 1958 classic Cairo Station, Youssef Chahine both directs and stars as Qinawi, a crippled newspaper vendor who falls for a lemonade seller, Hanouma, who is engaged to another station worker, Abu-Serih. As Abu-Serih tries to unionise the station workers, Qinawi’s fixation on Hanouma crosses the line from innocent crush to dangerous obsession. 

Cairo Station screened in competition at Berlin and was included in The Story of Film, the definitive history of cinema, while Chahine went on to receive a Lifetime Achievement Award from Cannes in 1997. The movie has a 100% critics rating on Rotten Tomatoes. Time Out praised it as “a great overlooked masterpiece”, The Guardian as “unmissable”, The Hollywood Reporter as “a jewel of a film” and BBC as “an excellent thriller, and one that anticipates the serial killer genre that Hitchcock’s Psycho kick-started a few years later… a cinematic triumph.”

It’s at #4 on both The Guardian’s list of The 20 Best African Films, Ranked and Taste of Cinema’s list of 20 Essential African Films You Need To Watch. Showmax is also home to Chahine’sAlexandria Why?, whichtook home the Special Jury Prize and the C.I.D.A.L.C. Diploma at Berlin in 1979.

 

A TRIP BACK IN TIME?

YAABA (GRANDMOTHER) | Burkina Faso drama

Late Burkina Faso filmmaker Idrissa Ouedraogo – hailed by Variety as “a towering figure of African cinema” – came to international attention in 1989 with Yaaba (Grandmother), the story of two children who make friends with an old woman who has been outcast as a witch by her village.

At Cannes that year, Yaaba shared the FIPRESCI Critics’ Prize with Steven Soderbergh’s Sex, Lies and Videotape and also took a Special Mention from the Ecumenical Jury. Yaaba has an 86% rating on Rotten Tomatoes, with The Los Angeles Times saying, “Yaaba’s power sneaks up on you… Flawless… Told in terms of the greatest elegance and simplicity.”

Yaaba is at #12 on both The Guardian’s list of The 20 Best African Films Ranked and Taste of Cinema’s list of 20 Essential African Films You Need To Watch.


A TREASURE TROVE OF AFRICAN CLASSICS

Of course, this one film per country approach is just a sampling, and misses out on Showmax Originals like the record-breaking Nigerian reality show, I Am Laycon, and the critically-acclaimed Kenyan crime drama Crime and Justice, not to mention classics like:

• Akin Omotoso’s The Ghost and The House of Truthwinner of the Grand Jury Prize at Urbanworld and Best Editing at the 2020 Africa Movie Academy Awards (AMAA). Set in Makoko, Nigeria, the crime drama stars BAFTA Breakthrough Brit winner Susan Wokoma (Enola Holmes) and AMAA Best Actress winner Kate Henshaw (Chief Daddy)

 Mugambi Nthiga’s dramaLusalawinner of the Rimbaud award at the 2020 Les Rimbaud du Cinéma, held in France at the oldest active cinema in the world, starring Brian Ogola (Crime and Justice18 Hours and Poacher) and child star Stycie Waweru (Jo in Supa Modo)

• Sara de Gouveia’s multi-award-winning The Sound of Masks, set in Mozambique and described by POV as “a wicked cool arts doc about the power of dance.”

• HBO’s 2019 Emmy-winning documentary, Stolen Daughters: Kidnapped By Boko Haram, which follows the story of one freed group of the Chibok Girls, who were kidnapped in Nigeria in 2014 by Islamic terrorist group Boko Haram.

• The heart-rending Kenyan superhero film Supa Modo, winner of over 50 international awards, including Best European Film For Children at the 2019 European Children’s Film Association Awards and a Children’s Jury Special Mention in the Generation 14Plus category at Berlin in 2018

• Njue Kevin’s 18 Hours, based on the true story of a rookie paramedic and his driver who spent 18 hours fighting to save the life of a road accident victim who was denied admission at multiple hospitals in Nairobi. In 2018, 18 Hours became the first Kenyan film to win Best Movie Overall at the Africa Magic Viewers’ Choice Awards.

• Mbithi Masya’s Kati Kati, about a young amnesiac who wakes up in the middle of the wilderness with no idea how she got there. The Kenyan film won the the FIPRESCI Critics Prize at Toronto in 2016, among other accolades.

• Leila Djansi’s Like Cotton Twines, named Best Film at Savannah Film Festival in 2016, stars four-time Black Reel nominee Jay Ellis (aka Lawrence in Insecure) as an American teacher in Ghana trying to save one of his students from religious slavery

• The Kenyan crime dramaNairobi Half Life, which won the Breakthrough Audience Award at AFI in 2012 and four Africa Magic Viewers Choice Awards in 2014. Lead actor Joseph Wairimu also picked up Best Actor at Durban and Most Promising Actor at the Africa Movie Academy Awards.
• The Ghana-set The Perfect Picture, winner of Best Director for Shirley Frimpong-Manso, Best Actress for Jackie Appiah and Best Supporting Actor for Adjetey Anang at the 2010 Africa Movie Academy Awards. Also look out for Frimpong-Manso’ hit new telenovela, Dede

• FESPACO Grand Prize winners like Mweze Ngangura’sIdentity Pieces | Pièces d’identités (DRC, 1999), Gaston Kabore’s Buud Yam (Burkina Faso, 1997), Roger Gnoan M’Bala’s Au Nom Du Christ (Cote d’Ivoire, 1993) and Kwah Ansah’s Heritage Africa (Ghana, 1989)
• Dani Kouyaté’sBurkina Faso-set Keïta! l’Héritage du griotwhich won a Special Mention and the OCIC Award at Amiens and the Oumarou Ganda Prize at FESPACO 1995
• Abderrahmane Sissako’s Mali-set La Vie Sur Terre / Life on Earthwhich won 10 international awards, including the Grand Prix at Fribourg 1999, and is ranked joint fifth on the Tarifa-Tangiers African Film Festival’s list of the 10 best African films of all time. 

• Flora Gomes’ Po Di Sangui / Tree of Bloodset in a Guinea-Bissau village where the trees planted upon the birth of each child begin falling rapidly and mysteriously. Tree of Blood competed for the Palme D’Or at Cannes in 1996 andwon a Silver Tanit at Carthage, among other honours.

• Djibril Diop Mambéty’s 1992 classic Hyènes / Hyenas, nominated for the Palme d’Or at Cannes in 1992 and was ranked joint fifth on the Tarifa-Tangiers African Film Festival’s list of the 10 best African films of all time. 

• Raoul Peck’s Lumumba: Death Of A Prophet, about the assasination of the first prime minister of the post-colonial Democratic Republic of Congo. Lumumba won the Procirep Award at Cinema du Reel in 1992, among other international accolades, while Peck went on to earn an Oscar nomination for I Am Not Your Negro in 2017. 

• Moussa Sene Absa’s Madame Brouette, about a single mother in Senegal who sells goods from a wheelbarrow but dreams of opening a canteen. Madame Brouette won four international awards, including Best Music at Berlin.  Trailer: https://youtu.be/5h2b7bOyX0U

• Flora Gomes’ Cape Verde-set Nha Fala / My Voice My Voicewhich won six international awards, including the Laterna Magic Prize at Venice in 2002, and was the only film from Africa to compete at Berlin that year. Grammy-nominated Cameroonian star Manu Dibango, who tragically passed away from Covid-19 in March 2020, wrote and produced the film’s music. 

• Haile Gerima’s Ethiopia-set Harvest: 3000 Years, which won the Prize of the Ecumenical Jury and the Silver Leopard at Locarno in 1976. Oscar-winner Martin Scorsese (The Irishman) presented a restored version of Harvest: 3000 Years at Cannes in 2006 and at Tribeca in 2008. As he wrote for Tribeca, the film “has a particular kind of urgency which few pictures possess. This is the story of an entire people, and its collective longing for justice and good faith. An epic, not in scale but in emotional and political scope.” The Tate Modern also honoured the film with a special screening in 2015. 

• Gaston Kabore’s Burkina Faso-set Zan Boko, winner of Best Screenplay at FESPACO 1989 and a Special Jury Award at Amiens 1988:

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